| J. G. Thirlwell | |
|---|---|
| Birth name | James George Thirlwell |
| Born | January 29, 1960 Melbourne, Australia |
| Genres | industrial, post-industrial, experimental, noise music, electronic, electro-industrial, Avant-garde, no wave, post-punk, noise rock, EAM, instrumental, jazz, big band, soundtrack, exotica, dark ambient, alternative rock, garage rock, Rock noir, Spy music, electronica, post-rock, Lounge, new wave, Gothic music, Spoken word, Cabaret, Dark cabaret, art rock. |
| Occupations | Musician, songwriter, Composer |
| Instruments | Vocals |
| Years active | 1980–present |
| Labels | Self Immolation Big Cat Ectopic Ents Ipecac Recordings Williams Street Tzadik |
| Associated acts | Coil Foetus Wiseblood Steroid Maximus Flesh Volcano Manorexia The Immaculate Consumptive |
| Website | foetus.org |
James George Thirlwell (born 29 January 1960), aka Clint Ruin, aka Frank Want, aka Foetus, is an Australian vocalist, composer and record producer. He emerged during (and is sometimes associated with) the No Wave era, however because of his musical diversity (which at times has included passage in the Electronic music genres) he is perhaps more well known for going beyond categorization, by juxtaposing a variety of different styles.
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Thirlwell was born in Melbourne, Australia. He briefly studied Fine Art at Melbourne State College (now part of the University of Melbourne) before moving to London, England in 1978, where he played with the post-punk band prag VEC and formed the first of his numerous musical projects, Foetus. In the 1980s, under the pseudonyms Clint Ruin and Frank Want, he contributed to various releases by Nurse With Wound, Marc Almond, The The and Nick Cave. He released his first 7" single, OKFM/Spite Your Face, in 1981, on his own Self-Immolation record label in his first incarnation as Foetus. Over the next few years, he would release two more singles, a 12" EP, and four full-length albums, Deaf, Ache, Hole (his first release on Some Bizzare Records) and perhaps his most seminal album from that period: Nail released in 1985. After visiting the United States during a live stint with the Immaculate Consumptive (Lydia Lunch, Nick Cave and Marc Almond) Thirlwell settled in New York, where he is still based between his frequent tours. Since his move he has released several singles, fourteen EPs (including Stinkfist, with fellow New York artist Lydia Lunch and Thurston Moore) and seventeen full-length albums.
In addition to being a prolific artist in his own right, Thirlwell has remixed and produced numerous pieces for artists including Nine Inch Nails, Front 242, The The, Red Hot Chili Peppers and Marilyn Manson. He has also done voice-over work for MTV and other entities.
Since 2000 Thirlwell has become more active as a composer, having written commissions for Bang on a Can, League of Electronic Musical Urban Robots and Kronos Quartet, and scoring the Adult Swim cartoon The Venture Bros. He also revived his primary instrumental project, Steroid Maximus, and initiated a more experimental project in Manorexia. He continues to write and perform regularly, with orchestras, ensembles or simply with laptop and keyboard and other devices as necessary.
Throughout the span of his career, Thirlwell has toyed with his own identity by releasing music in the guise of numerous alter egos. During the earliest phases of his recording, Thirlwell's "groups" were composed of a plethora of fictional characters: Foetus Under Glass supposedly consisted of Frank Want, Phillip Toss and two Brazilian statistics collectors; Scraping Foetus off the Wheel was claimed to be the work of Want and Clint Ruin. Furthering the confusion, Thirlwell adopted these personas outside of his own recordings; for example, Frank Want can be found on The The's Soul Mining and on releases by Edwyn Collins's Orange Juice.
Thirlwell's persona of Clint Ruin was particularly notable. During the mid-1980s and early-1990s Thirlwell exclusively went by this pseudonym, even conducting interviews as Ruin. As Ruin, Thirlwell was a member of Wiseblood with Roli Mosimann and Flesh Volcano with Marc Almond. He also recorded two collaborative EPs with Lydia Lunch, and starred in and scored films of Richard Kern under the Ruin alias. Ruin is also credited on numerous releases for a variety of roles with Boss Hog, Coil, Fur Bible, Annie Hogan, Nurse With Wound, Pigface, Sonic Youth, Workdogs and others.
This practice seems to have been discontinued since 1995, and "J. G. Thirlwell" is credited on all subsequent musical recordings. However, Thirlwell currently makes DJ appearances under the pseudonym DJ OTESFU (an anagram of Foetus).
J. G. Thirlwell's music - under his various project names: Foetus, Wiseblood, Steroid Maximus, Baby Zizanie, Manorexia and others - includes elements of punk rock, 20th century classical music, industrial music, big band, Americana, jazz, African and Cuban percussion, and epic/horror film soundtracks. Much of Thirlwell's aural output is built on a percussive, rock music-type structure, though to call it rock music would be inaccurate. Thirlwell prefers not to categorize music in general, and this is evidenced in the way his music transcends genres: by means of accomplished studio-as-instrument craftsmanship, Thirlwell combines percussion, strings, distortion, brass, electric guitars, electronic sounds and voice into a single, frenzied, epic symphony of hate, pain, violence, grief, beauty and fury - at once powerful, complex and primal. Recurring lyrical themes include destruction, persecution, anxiety, abuse, incest, masochism, angst, self-destruction, self-abuse, lust, prejudice, murder, failure and machismo, often expressed using American colloquialism and black humour. J. G. Thirlwell is also a member of Freq out and the Freq out orchestra.
For full discographies of Foetus, Steroid Maximus, Manorexia, Wiseblood, Flesh Volcano and Baby Zizanie, see respective articles.
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